By Alexandra Smith
Montaging Pushkin deals for the 1st time a coherent view of Pushkin's legacy to Russian twentieth-century poetry, giving many new insights. Pushkin is proven to be a Russian forerunner of Baudelaire. in addition it really is argued that the increase of the Russian and eu novel principally replaced the methods Russian poets have checked out themselves and at poetic language; that novelisation of poetry is detectable within the significant works of poetry that engaged in an inventive discussion with Pushkin, and that polyphonic lyric has been accomplished. Alexandra Smith locates major examples of Pushkin's cinematographic cognition of truth, suggesting that such dynamic descriptions of Petersburg helped create a hugely unique lively picture of the town as comedian apocalypse, which fans of Pushkin appropriated very effectively at the same time some distance because the overdue 20th century. Montaging Pushkin should be of curiosity to all scholars of Russian poetry, in addition to experts in literary thought, eu experiences and the heritage of rules. "Smith's thesis is either startling and unique: that Pushkin, for all his Mozart-like fluidity and perfection, may be productively learn as a poet of discomfort and violence. His reflex was once to answer the totalizing, authoritative public panorama of his period with an both critical yet particularly deepest, individualizing, disciplined set of calls for at the Poet. The habitual realization that later generations have paid towards these points of Pushkin's lifestyles and texts ruled by way of the personal correct to withstand or to start up violence (his duel, his struggles with the forms, his failed pursuit of carrier with honour) recommend that this mythologeme is likely one of the most efficient in Pushkin's unbelievable legacy" CARYL EMERSON (A. Watson Armour III collage Professor of Slavic Languages and Literatures, Chair of the Slavic division, Professor of Comparative Literature at Princeton collage) "Smith's cutting edge examine deals an excellent research of the way cinematographic modifying and polyphony are detected in Russian twentieth-century poetry... It perspectives Pushkin as a "r?f?rence oblig?e" of latest city poetry" V?RONIQUE LOSSKY (Professor Emeritus of Russian Literature on the Universit? de Paris-Sorbonne IV)
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Extra info for Montaging Pushkin: Pushkin and Visions of Modernity in Russian Twentieth–Century Poetry (Studies in Slavic Literature and Poetics 46) (Studies in Slavic Literature & Poetics)
That particular sort of faith in indeterminacy; the idea that positive, cyclical change is necessary to evolution; the desire to shatter static systems with novelty; the refusal to accept intellectual construction as given; the assumption that art can play a role in social From Pushkin’s poetics of exile to the concept of writing as dwelling 49 evolution; the dogged attention to the preconceptual and pre-linguistic concrete; the belief that this concrete is fluid, real and valuable; and the delight that comes from a view of the world as a creation in progress that permits, or even demands, the individual’s participation — all these assumptions seem to inhere in a particular approach to life and art that is as relevant now as it was in the early years of the last century” (Wedaman 2003: 205).
But closer examination of Pushkin’s own aesthetic principles, as seen in his writings, reveals aspects of Pushkin’s artistic psychology which enabled Russian modernists to look at his creative output and equate Pushkin the poet with a creative principle. Bergson emphasised the creative action that was heavily dependent on both intellectual effort and intuitive simultaneous perception of the past/present/future. This allows the reader to reflect on creation itself, from the viewpoint of his own psychic experience.
Pushkin’s poetry after the 1825 Decembrist revolt displays a growing sense of such alienation and disillusion with the Russian pace of modernisation. The overpowering presence of the monarchy continued to affect Russia’s path towards a modern state in the 1810s-1830s. Nevertheless Vissarion Belinskii believed Russian literature of the 42 Montaging Pushkin: Pushkin and Visions of Modernity in Russian 20th-C Poetry first half of the nineteenth century retained independence from foreign models and displayed a full complement of artistry and elements of vitality.
Montaging Pushkin: Pushkin and Visions of Modernity in Russian Twentieth–Century Poetry (Studies in Slavic Literature and Poetics 46) (Studies in Slavic Literature & Poetics) by Alexandra Smith