By Dale Kramer
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Extra resources for Critical Approaches to the Fiction of Thomas Hardy
While the opening chapters dramatise Bathsheba's repeated intrusion into Gabriel's consciousness and her subsequent rejection of his suit, the ending (especially Chapter LVI) focuses on the intrusion of Gabriel (who had suppressed his hopes in the face of social and economic differences) into Bathsheba's consciousness. Not quite so shy, diffident, and self-effacing, Gabriel has learned how to spar with Bathsheba and how to monitor her solipsistic tendency to create her own reality. Reversing the interview in which he has proposed, it is she who is the petitioner, claiming and believing that it is merely her fear that she has offended him that brings her to his cottage.
6, 9, J). In this atavistic scene, Henchard ritualistically casts off his wife as if she were the evil influence that has caused what he regards as his miserable plight. The second chapter depicts the fetishistic effort of the still anonymous man to reverse his fatal act. Already the fabular ontology gives way to a nominalistic particular world. By Chapter 111, Susan is embarked on the hopeless path of trying to reverse the past eighteen years, and the Walpurgisnacht atmosphere of the Weydon-Priors fair has entirely vanished.
He was ideally suited, from the circumstances of his upbringing, for tackling this vexed question. Born and brought up in Dorset, when the traditional ways, though threatened, were still strong, he could claim that 'absorption' in locality which Morgan considered so vital. Even while working in Dorchester, he had sensed a contrast between the life of the bustling town and that ofhis native home: Owing to the accident ofhis being an architect's pupil in a county- A REGIONAL APPROACH TO HARDY'S FICTION 39 town of assizes and aldermen, which had advanced to railways and telegraphs and daily London papers; yet not living there, but walking in everyday from a world of shepherds and plough men in a hamlet three miles off, where modern improvements were still regarded as wonders, he saw rustic and borough doings in a juxtaposition peculiarly close.
Critical Approaches to the Fiction of Thomas Hardy by Dale Kramer