By Cristovão Tezza
About the author:
Cristovão Tezza was once born in Lages, within the southern Brazilian country of Santa Catarina, in 1952. he's the writer of thirteen novels, released in 7 languages, and the winner of many literary prizes, together with the Jabuti Prize, the Portugal-Telecom Award, the São Paulo Literature Award, Petrobrás Literature Award, Brazilian Academy of Letters, São Paulo artwork Critics' organization Award, the Zaffari & Bourbon Prize, Bravo, France's Charles Brisset Award, and a nomination for the 2012 IMPAC-Dublin Award. short area among colour and coloration used to be the winner of the 1998 Brazilian nationwide Library's Machado de Assis Award.
Sobre o livro:
O romance narra a história de Tato Simmone, jovem pintor curitibano, que busca firmar-se como artista e se vê às voltas com uma mulher sedutora, um marchand suspeito e um falso Modigliani. Envolto em um dilema ethical, a princípio puramente abstrato, Tato entra em uma realidade inaudita quando se descobre em meio a uma intriga do mundo das artes. Cristovão Tezza domina a narração e constrói uma visão de mundo multifacetada, ambígua e sutil, sem perder o prazer do humor e do envolvimento do leitor.
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Extra info for Breve Espaço
Even in the West, however, this need to work through the past was immediately complicated as a result of the escalating Cold War tension. Denazification, deindustrialization, de-cartelization, and demilitarization put into place in West Germany just years earlier was soon suspended or phased out as the Western Allies’ perceived need to rebuild the country as a buffer in their struggle against Soviet dominance in Europe became the new priority. 42 In its new role as a Western antisocialist partner in the Cold War, West Germany would be encouraged to form a government that consisted of a coalition of conservative (antisocialist and anticommunist) parties.
You imagine you know the world, because you can feel it with your artists’ sensibility, but my dear, that will not do, it is not enough, it is a deadly luxury. . Haven’t you heard of Dachau yet? . ”27 Monika thus comes to tell Andreas the story of her marriage, a tale of two Jewish German intellectuals against the backdrop of the changing political climate of the 1920s and 1930s, and of her husband’s death at Mauthausen. Andreas, shocked by Monika’s story and now fully aware of the Nazi threat, decides that he wants to flee together with her.
It has moved on to become cultural studies of the Holocaust. I would characterize this new discourse as thoroughly aware of its “post” Holocaust nature. That is, aware of the culturally mediated, incomplete, and delayed nature of both these representations and our understanding of the events of the Holocaust and its impact. 74 Fundamental to this shift, I believe, is a broader understanding of the phenomenon of trauma (and how trauma affects memory) that has emerged from within cultural studies since the early 1990s.
Breve Espaço by Cristovão Tezza